Sans Superellipse Fenol 3 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Mongoose' by Kostic and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: sports branding, headlines, posters, promotions, packaging, dynamic, sporty, urgent, modern, impactful, compact impact, convey speed, display emphasis, modern utility, condensed, slanted, oblique, compact, rounded.
A tightly condensed, heavily weighted sans with a pronounced forward slant and compact internal counters. Curves read as rounded-rectangle forms, giving bowls and apertures a smooth, slightly squarish geometry rather than purely circular shapes. Strokes stay largely uniform with minimal modulation, and terminals are clean and blunt, producing a dense, high-impact texture. The lowercase shows a tall, upright rhythm within the slant, with short extenders and sturdy, simplified joins that keep words compact and blocky.
Best suited to display applications where speed and emphasis are desired: sports and fitness branding, punchy headlines, event posters, promotional graphics, and bold packaging callouts. It also works well for short UI labels or badges when used at sufficiently large sizes to preserve counter clarity.
The overall tone is fast and assertive, suggesting motion and urgency through the strong oblique angle and compressed proportions. It feels contemporary and performance-driven, with a bold, poster-like presence that reads as energetic and slightly aggressive.
The design appears intended to deliver maximum impact in a compact footprint, combining a condensed structure with a strong slant to convey motion. Its rounded-rectangle construction and uniform stroke weight aim for a modern, clean display voice that stays legible while feeling forceful.
The numerals and capitals match the same condensed, forward-leaning stance, maintaining a consistent black mass across lines. At smaller sizes the tight counters and compact spacing may cause shapes to close up, while at display sizes the rounded-rect geometry becomes a defining stylistic cue.