Sans Other Vove 14 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Geometria' by Brownfox, 'FF Scuba' by FontFont, 'Danos' by Katatrad, 'Calton' by LetterMaker, 'Famiar' by Mans Greback, 'Scatio' by Wahyu and Sani Co., and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, industrial, utilitarian, stenciled, retro, authoritative, stencil aesthetic, bold impact, industrial labeling, graphic texture, cut-out, modular, rounded, blocky, mechanical.
A heavy, rounded, cut-out sans with prominent stencil breaks running through many strokes. The letterforms are built from broad, low-detail shapes with softened corners and squared terminals, producing a compact, poster-like color. Counters are often partially closed or segmented by internal gaps, and several glyphs use vertical or diagonal cut lines that read like punched or sprayed stencils. Proportions favor a large x-height and short ascenders/descenders, with simplified geometry and a steady, rhythmic texture in text.
Best suited for headlines, posters, packaging, and signage where the stencil breaks become a distinctive graphic feature. It can work well for brand marks and labels that want an industrial or military-adjacent feel, particularly at medium to large sizes.
The overall tone feels industrial and utilitarian, with a rugged, fabricated character that suggests labeling, equipment markings, and bold display messaging. Its stencil logic adds a tactical, workmanlike edge while the rounded corners keep it approachable rather than sharp or aggressive.
This design appears intended to deliver maximum impact with a clear stencil identity: bold silhouettes, minimal contrast, and engineered gaps that keep forms recognizable while adding a functional, fabricated aesthetic.
The repeated internal breaks create strong patterning at display sizes and can reduce clarity in small text, especially where counters become tight or segmented. Numerals and round letters (like O/0) emphasize the stencil theme with central apertures and split forms, reinforcing the “cut metal” impression.