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Free for Commercial Use

Inline Bemu 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Grupi Sans' by Dikas Studio, 'Double D NF' by Nick's Fonts, 'Ordina' by Schriftlabor, and 'Beval' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids branding, event flyers, playful, retro, comic, friendly, bold, display impact, dimensional accent, friendly tone, retro signage, rounded, chunky, soft, bouncy, informal.


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A heavy, rounded display sans with softly squared corners and an irregular, hand-drawn feel. Strokes are thick and mostly monoline, with a consistent inline cut that creates a carved-through highlight running inside each letterform. Counters are generous and rounded, terminals are blunt, and curves tend to bulge slightly, producing a lively, uneven rhythm. The overall set reads compact and stout, with simplified joins and a deliberately lo-fi outline quality that shows subtle wobble from glyph to glyph.

Best suited for short, high-impact text such as headlines, posters, packaging callouts, and logo-style wordmarks where the inline effect can read clearly. It also works well for playful branding, children’s materials, and event graphics that benefit from a bold, friendly tone. For longer passages, larger sizes and looser spacing help preserve the internal detailing.

The inline detailing and chunky proportions give the face a cheerful, throwback personality—somewhere between vintage signage and cartoon lettering. It feels approachable and energetic rather than formal, with a tactile, poster-ready presence that suggests fun, games, and lighthearted branding.

The design appears intended to deliver maximum display impact with a built-in inline accent that adds dimensionality and character. Its softened geometry and intentionally imperfect contouring suggest a goal of warmth and approachability, echoing mid-century sign paint and comic-inspired lettering rather than a precision-driven grotesk.

The inline is thick enough to remain visible at typical display sizes, acting like a built-in highlight that adds depth without true shading. The set is most convincing when allowed breathing room: tight tracking can cause the interior cuts and dense strokes to visually merge, especially in all-caps or long words.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸