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Free for Commercial Use

Sans Normal Vibeg 3 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Halenoir' by Ckhans Fonts, 'Hando' by Eko Bimantara, 'Alfabet' by Machalski, 'Belloria' by Matt Chansky, 'Amsi Grotesk' by Stawix, and 'Biwa' by Wordshape (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, sporty, energetic, modern, confident, friendly, impact, momentum, clarity, modernity, approachability, oblique, rounded, geometric, clean, open.


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A heavy, oblique sans with rounded geometry and smooth, low-modulation strokes. The shapes lean forward with a steady slant and a broad stance, giving letters generous horizontal presence and open interior counters. Terminals are clean and subtly softened, and curves (C, O, S) read as near-elliptical rather than strictly circular, keeping the rhythm even and contemporary. Numerals are sturdy and highly legible, with simple, wide forms that match the alphabet’s overall footprint.

Works best for headlines, posters, and large-format messaging where impact and quick readability matter. It also suits energetic branding, packaging, and signage systems that benefit from a strong, modern sans voice. For body text, it will be more effective in short bursts (calls to action, labels, UI highlights) rather than long paragraphs due to its heavy color and slanted stance.

The overall tone is assertive and active, with a forward-leaning posture that feels sporty and contemporary. Its rounded construction keeps it approachable, balancing strength with friendliness. The result is a confident voice suited to punchy, attention-getting messaging.

The design appears intended to deliver a strong, contemporary sans italic with a broad, rounded build—prioritizing visibility, momentum, and a clean geometric feel. Its consistent slant and sturdy forms suggest a focus on expressive display use while maintaining straightforward legibility.

The slant is consistent across uppercase, lowercase, and figures, helping headlines feel unified. Wide letterforms and large counters improve clarity at distance, while the bold color can dominate in dense settings, favoring shorter lines and ample spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸