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Free for Commercial Use

Sans Normal Purol 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Whitney' by Hoefler & Co., 'ITC Chino' by ITC, 'Corpid' by LucasFonts, 'MC Bolfy' by Maulana Creative, 'Amsi Pro' and 'Amsi Pro AKS' by Stawix, and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, social media, playful, friendly, bouncy, retro, casual, display impact, friendly branding, playful tone, bold readability, rounded, soft, blobby, chunky, puffy.


Free for commercial use
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A heavy, rounded sans with a pronounced forward slant and softly swollen strokes. Terminals are consistently blunt and curved, giving letters a cushioned, almost “molded” silhouette rather than crisp geometry. Counters are compact and rounded, and joins are smooth with minimal sharp corners, creating an even, low-detail texture. Proportions vary noticeably by letter, with broad rounds (O, Q) and stout verticals, while the figures follow the same inflated, simplified construction for a unified set.

Best suited for display typography where impact and personality matter: headlines, posters, packaging, promotional graphics, and brand marks that want a soft, welcoming presence. It also works well for short slogans and social media cards where its rounded weight can carry simple messages quickly.

The overall tone is upbeat and informal, with a humorous, approachable voice that feels energetic and a bit cartoonish. The combination of extreme weight, rounded corners, and the lively slant produces a friendly, attention-grabbing rhythm suited to lighthearted messaging.

The design appears intended to deliver maximum visual punch while staying friendly and non-threatening, using rounded, simplified forms and a strong slant to add motion. Its consistent soft terminals and inflated curves suggest a focus on playful branding and bold, readable display settings rather than long-form text.

At larger sizes the shapes read clearly and the curves feel cohesive across uppercase, lowercase, and numerals. In dense settings the tight counters and heavy ink coverage can make internal spaces close up, so the style favors display use over small text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸