Sans Superellipse Waso 11 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, branding, packaging, futuristic, tech, industrial, sporty, sci‑fi, futurism, impact, signage, interface, rounded corners, squarish, geometric, streamlined, modular.
A heavy, geometric sans built from squarish, superellipse-like shapes with generously rounded corners and mostly uniform stroke weight. Curves resolve into flattened horizontals and verticals, creating a compact, engineered rhythm; counters tend to be rectangular and softly radiused rather than circular. Terminals are clean and blunt, and many letters show intentional cut-ins and horizontal apertures (notably in forms like E, G, S, and 3), reinforcing a modular, constructed feel. The overall texture is dense and stable, with wide letterforms and consistent spacing that favors blocky silhouettes over calligraphic contrast.
Best suited to display settings where its bold, rounded-tech forms can carry impact: headlines, posters, athletic or esports branding, logotypes, product packaging, and UI/overlay titles. It also works well for short labels and numbers in contexts like equipment markings or futuristic interface graphics, where the squared counters and cut-in details improve character differentiation at larger sizes.
The tone is assertive and high-tech, evoking sci-fi interfaces, motorsport branding, and industrial product labeling. Its rounded-rectangle geometry reads modern and synthetic, balancing friendliness from the softened corners with a strong, mechanical presence. The result feels fast, controlled, and purpose-built rather than neutral or bookish.
The design appears intended to deliver a distinctive futuristic identity through consistent superelliptical construction, wide stance, and engineered apertures. It prioritizes strong silhouettes and a cohesive modular system, aiming for immediate recognizability in branding and display typography.
Distinctive silhouettes come from the mix of squared bowls, wide proportions, and recurring horizontal slots that act like inktraps or stencil-like breaks. Numerals follow the same system, with segmented, display-oriented shapes that emphasize speed and signage over traditional text conventions.