Sans Superellipse Wafa 1 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, gaming, futuristic, tech, industrial, sporty, sci-fi, impact, tech aesthetic, modern branding, display strength, modular geometry, rounded, squared, geometric, blocky, streamlined.
A geometric sans built from rounded-rectangle and superellipse forms, with consistently thick, uniform strokes and softly radiused corners. Counters are compact and often horizontally emphasized, producing a tight, low-contrast interior space in letters like O, P, R, and a. Many joins are clean and mechanical, and several glyphs use distinctive cut-ins and notch-like apertures (notably in S and some numerals) that reinforce a modular, engineered feel. The overall silhouette is broad and stable, with short crossbars and flattened curves that keep shapes crisp at display sizes.
Best suited to large-size applications where its broad, geometric shapes and notched details can be appreciated—headlines, posters, brand marks, product packaging, and entertainment or gaming graphics. It can also work for short UI labels or signage where a bold, technical voice is desired, but extended small-text settings may feel dense due to the tight counters.
The tone reads modern and synthetic—confident, technical, and slightly aggressive in a sporty way. Its rounded corners soften the mass, but the squared construction and notched details keep it firmly in a sci‑fi/industrial register rather than friendly or casual.
The design appears intended to deliver a compact, high-impact display voice with a techno-geometric construction. By combining rounded corners with squared, modular letterforms and selective cut-ins, it aims for a contemporary sci‑fi aesthetic that remains readable while looking purpose-built and engineered.
In text, the dense stroke weight and compact counters create strong word images and a dark typographic color. The punctuation and simple verticals (like i/l/1) appear minimal, while curved letters lean toward flattened, aerodynamic forms rather than true circles.