Script Abbaj 3 is a regular weight, very narrow, high contrast, italic, short x-height font.
Keywords: invitations, greeting cards, branding, packaging, quotes, whimsical, elegant, romantic, playful, handmade, handwritten elegance, signature feel, expressive display, boutique tone, monoline feel, brushed, loopy, tall ascenders, long descenders.
This font presents a handwritten script with a lively, calligraphic rhythm and pronounced thick–thin modulation. Letterforms are tall and slender with narrow set widths, long ascenders/descenders, and frequent looped strokes, especially in capitals and letters like g, y, and j. Strokes taper to fine terminals and show brush-pen behavior, with occasional heavier downstrokes and lighter hairline joins. Connectivity is partial rather than fully cursive—many lowercase letters link smoothly in words, while others keep small gaps—creating an informal, hand-drawn flow while maintaining consistent slant and baseline alignment.
It works best for short to medium display settings where its slender proportions and high-contrast strokes can stay crisp—such as invitations, greeting cards, boutique branding, packaging labels, and pull quotes. In longer passages or very small sizes, the fine hairlines and narrow counters may reduce clarity, so generous sizing and spacing will help preserve readability.
The overall tone feels airy and personable, balancing elegance with a casual, whimsical charm. Its looping capitals and delicate hairlines read as friendly and romantic rather than strict or formal, making it feel suitable for expressive, human-centered messaging.
The design appears intended to mimic a modern brush-script hand with refined contrast and expressive loops, providing a distinctive signature-like voice while remaining relatively orderly in rhythm and spacing.
Uppercase characters are especially decorative, with simplified, elongated structures and soft entry/exit strokes that add flourish without becoming overly ornate. Numerals follow the same handwritten logic with high contrast and rounded curves, and punctuation in the samples sits lightly, supporting an open, graceful texture in text lines.