Shadow Imra 11 is a regular weight, normal width, very high contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, packaging, game ui, retro, arcade, comic, playful, bold, dimensional impact, retro styling, playful display, graphic clarity, outlined, drop shadow, rounded corners, blocky, inline counters.
A compact, blocky display face built from rounded-rectangle forms with softened corners and consistent, monoline-like outlines. Each glyph is drawn as an outlined shell with a hollow interior, plus an offset, solid shadow that sits down/right to create a stacked, dimensional look. Terminals are squared and sturdy, counters are geometric and simplified, and the overall construction favors uniform curves over diagonals, giving the alphabet a clean, modular rhythm. Numerals follow the same outlined-plus-shadow structure, maintaining the chunky, signage-like silhouette across the set.
Best suited for short, high-impact settings such as headlines, posters, badges, product packaging, and logo wordmarks where the outlined, shadowed construction can read clearly. It also fits playful interfaces and title screens for games or events, and works well in branding situations that want a retro, dimensional display voice.
The style reads as upbeat and nostalgic, echoing arcade titles, toy packaging, and mid-to-late 20th-century display lettering. The hollow outline keeps it light enough to feel friendly, while the heavy shadow adds punch and a poster-ready presence. Overall it communicates fun, boldness, and a slightly comic, game-like energy.
The font appears designed to deliver an instantly recognizable 3D-shadow, outlined display look with simplified geometry and friendly rounded corners. Its construction emphasizes strong silhouette and graphic depth for attention-grabbing typography, prioritizing decorative impact over subtle text setting.
The shadow treatment is a core part of the design language: it adds depth without relying on gradients or textures, and it remains consistent across curves, corners, and interior cutouts. The rounded-square geometry makes word shapes feel cohesive and highly graphic, especially at larger sizes where the inline openings and layered effect are most apparent.