Hollow Other Wowu 6 is a very bold, very wide, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, album art, futuristic, industrial, techno, glitchy, arcade, impact, tech aesthetic, texture, signal motif, display focus, striped, segmented, modular, stencil-like, angular.
A heavy, geometric display face built from blocky, squared forms with pronounced horizontal striping. Many glyphs are constructed with solid lower masses and separated upper bands, creating repeated internal knockouts and a distinctly segmented texture. Counters tend to be rectangular and simplified, corners are mostly square, and diagonals are minimized or handled as stepped shapes. Spacing and rhythm read wide and assertive, while the recurring cut lines keep the dense silhouettes from feeling monolithic.
Best suited for short, attention-grabbing settings such as headlines, posters, logos, and branded graphics where the striped cutouts can be clearly seen. It also fits tech, gaming, and sci‑fi themed packaging, titles, and album art, and can work as a stylized interface or scoreboard accent when used at larger sizes.
The repeated scanline-like cutouts give the font a digital, machine-driven tone—somewhere between retro arcade graphics and industrial sci‑fi interfaces. Its hard edges and modular construction feel engineered and synthetic, suggesting motion, signal interference, or coded information rather than hand-made warmth.
The design appears intended to deliver maximum impact through massive, squared silhouettes while adding complexity and differentiation via internal horizontal knockouts. The banded structure suggests a deliberate reference to scanlines, digital readouts, or stenciled industrial markings, turning otherwise simple geometric letters into a distinctive textured voice.
The most characteristic feature is the consistent horizontal banding across caps, lowercase, and numerals, which creates a strong texture in lines of text. At smaller sizes the striping can visually merge, so the design reads best when given room to show the internal segmentation. The overall construction stays coherent across the set, emphasizing a system-like, grid-based logic.