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Free for Commercial Use

Outline Lidy 4 is a very light, wide, low contrast, italic, normal x-height font.

Keywords: headlines, logos, posters, sports branding, game ui, retro, techy, sporty, arcade, futuristic, speed, futurism, display impact, technical feel, retro styling, octagonal, chamfered, monoline, outlined, rounded corners.


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A monoline outline design with broad, forward-leaning proportions and an oblique, rightward slant. Letterforms are built from straight segments with consistent chamfered corners, producing an octagonal, engineered geometry across capitals, lowercase, and numerals. The outlines stay evenly spaced and clean, with mostly open interior counters; curves are implied through faceting rather than true rounds. Terminals are blunt and squared-off, and joins are crisp, giving the face a precise, constructed rhythm in text.

This font is well suited to headlines, logo marks, and branding systems that want a lightweight, high-energy outline look. It can work effectively on posters, packaging, and sports or motorsport-inspired graphics, and it fits naturally in retro-futuristic or arcade-styled interfaces where large sizes and strong contrast with the background help the outline structure read clearly.

The overall tone reads as sporty and tech-forward, with a distinctly retro arcade flavor. Its faceted outlines and slanted stance suggest speed, machinery, and streamlined motion, making it feel energetic and display-oriented rather than quiet or literary.

The design appears intended to deliver a fast, angular, technical aesthetic by combining a consistent outline stroke with chamfered, faceted construction and an oblique stance. The emphasis seems to be on creating bold silhouettes and a distinctive hollow presence that stands out in display contexts.

Capitals and numerals appear especially emblematic and sign-like, while the lowercase maintains the same angular language for cohesion. Because the strokes are expressed as outlines, the texture remains airy and high-impact in larger settings, where the inner negative space becomes part of the visual identity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸