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Free for Commercial Use

Outline Lyga 6 is a regular weight, wide, low contrast, italic, normal x-height font.

Keywords: headlines, posters, logos, sports branding, gaming ui, futuristic, sporty, techno, arcade, racing, speed, futurism, impact, tech styling, display branding, angular, geometric, monoline, inline, octagonal.


Free for commercial use
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A forward-leaning outline display face built from monoline contours with a consistent, uniform gap between outer and inner paths. Forms are geometric and angular, favoring chamfered corners and squared bowls that read as octagonal rather than circular, giving the alphabet a crisp, engineered rhythm. The outlines are clean and even, with open counters and simplified joins that keep shapes legible despite the hollow construction. Overall proportions feel broad and extended, with sturdy caps, compact apertures, and a tight, mechanical cadence across letters and numerals.

Best suited to display settings where the outline structure can be appreciated: headlines, posters, title cards, and logo/wordmark work. It also fits sports and racing branding, esports or gaming interfaces, and tech-forward packaging where a sense of motion and engineered precision is desirable. For maximum clarity, use at larger sizes or with generous spacing so the interior voids remain distinct.

The overall tone is energetic and synthetic, evoking speed, machinery, and digital-era styling. Its slanted stance and sharp geometry suggest motion and competitive intensity, with a retro-tech flavor reminiscent of arcade, sci‑fi, and motorsport graphics. The hollow construction adds a light, schematic feel—like lettering drawn as a technical trace rather than a filled mark.

The design appears intended to deliver a fast, futuristic display look using italicized, chamfered geometry and a consistent hollow outline system. Its construction prioritizes impact and a sleek, technical aesthetic over text-density, making it a strong choice for branding and titling where style and velocity are key.

The double-line construction creates strong interior negative space that becomes a key design feature at larger sizes, especially in diagonals and tight corners where the inner contour echoes the outer shape. Numerals match the same chamfered, squared-off logic, reinforcing a cohesive, system-like character across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸