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Free for Commercial Use

Solid Deky 9 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Bumper' by HVD Fonts, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Neuro X' by Sawdust, 'Exorts Compressed' by Seventh Imperium, and 'Fixture' by Sudtipos (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, titles, industrial, poster, playful, punchy, quirky, impact, density, novelty, branding, display, condensed, blocky, monolithic, rounded corners, stencil-like.


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A tightly condensed, heavy display face with tall proportions and a strongly vertical rhythm. Strokes are thick and largely uniform, with softened, rounded terminals that keep the dense shapes from feeling razor-sharp. Counters are largely collapsed into small notches and slits, producing a mostly solid silhouette with occasional interior cut-ins that hint at traditional letter structure. Overall spacing is compact and the texture reads as a continuous dark column, especially in lowercase and numerals.

Best suited to posters, large headlines, title cards, and bold branding moments where maximum impact is desired. It can work well for packaging and label-style typography that benefits from a dense, stamped look. For longer text or small-size UI use, the collapsed counters and compressed rhythm may reduce readability.

The font conveys a bold, industrial attitude with a quirky, novelty edge. Its near-solid construction and narrow stance create a loud, attention-grabbing tone suited to high-impact messaging rather than nuance. The rounded corners add a slightly playful feel, tempering the otherwise severe, monolithic presence.

The design appears intended to explore an extreme, nearly solid condensed form that prioritizes silhouette and texture over conventional counter shapes. By keeping letterforms upright, tall, and packed, it aims to create a distinctive, high-contrast presence on the page while maintaining recognizability through strategic notches and cut-ins.

Because interior openings are minimal, character differentiation relies on distinctive exterior contours and small incisions, which can make similar forms feel closer at smaller sizes. It performs best when given room to breathe with generous line spacing and when used in short bursts where the silhouette can do the work.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸