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Free for Commercial Use

Slab Contrasted Abba 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Shemekia' by Areatype, 'FS Silas Slab' by Fontsmith, and 'Weekly' by Los Andes (names referenced only for comparison).

Keywords: headlines, editorial, posters, packaging, branding, assertive, vintage, institutional, sturdy, impact, readability, print feel, authority, heritage, slab serif, bracketed serifs, soft corners, ink-trap feel, compact bowls.


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A weighty slab serif with broad, squared serifs and gently bracketed joins that soften the otherwise blocky structure. Strokes are largely even, with subtle modulation and a firm, vertical stance. Counters are compact and the curves are slightly flattened, giving letters a dense, pressed-on-the-page color. Terminals and serifs read as blunt and stable, while interior joins in letters like n/m and the shoulder shapes show a faint ink-trap-like notchiness that improves separation at heavy weight. Numerals follow the same robust, squared logic and sit confidently on the baseline.

Best suited to headlines, subheads, and short-to-medium text where strong typographic presence is desired—such as magazine layouts, newspaper-style designs, packaging labels, and brand marks that need a grounded, traditional voice. It can work in display-heavy paragraphs when a dense, authoritative texture is acceptable.

The tone is confident and no-nonsense, with an editorial, newspaper-like authority. Its sturdy slabs and dense rhythm suggest reliability and tradition, while the softened brackets keep it from feeling overly rigid. Overall it communicates practicality, impact, and a slightly vintage, print-forward character.

The design appears intended to deliver a robust, print-oriented slab serif voice that holds up at larger sizes and creates a consistent, impactful text color. Its softened brackets and compact counters aim to balance strength with readability for editorial and branding contexts.

The font’s texture is noticeably dark and even in paragraphs, producing strong emphasis and a poster-friendly presence. Uppercase forms feel formal and sign-like, while lowercase maintains legibility through clear apertures and distinct silhouettes despite the heavy color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸