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Free for Commercial Use

Serif Contrasted Osna 6 is a very bold, narrow, very high contrast, upright, normal x-height font visually similar to 'Berthold Bodoni' by Berthold, 'Bodoni FB' by Font Bureau, 'Bauer Bodoni' by Linotype, 'Didonesque Stencil' by Monotype, 'Haenel Antiqua' by RMU, 'Bodoni No. 1 SB' and 'Bodoni No. 1 SH' by Scangraphic Digital Type Collection, and 'Bodoni Antiqua' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, mastheads, posters, book covers, branding, dramatic, editorial, classic, formal, authoritative, headline impact, editorial voice, classic authority, brand emphasis, hairline serifs, vertical stress, sharp terminals, crisp, compact.


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A compact, high-contrast serif with a strong vertical emphasis and crisp, finely cut hairlines. The letterforms show pronounced thick–thin modulation, with sturdy main stems and delicate cross-strokes that create a dramatic light/dark rhythm. Serifs are sharp and refined with little visible bracketing, and curves transition quickly into thin joins, giving counters a tight, sculpted feel. Overall proportions are tall and condensed, and the punctuation and numerals follow the same assertive, display-forward contrast.

Best suited to display roles such as headlines, mastheads, posters, and impactful editorial titling where its condensed proportions and strong contrast can command attention. It can also work for book covers and brand wordmarks that benefit from a classic, authoritative serif voice.

The tone is bold and theatrical, with a distinctly editorial, print-classic feel. Its compact width and razor-like details read as confident and formal, evoking newspaper headlines, literary titling, and high-end branding rather than casual or utilitarian text settings.

The design appears intended to deliver maximum impact through condensed proportions and pronounced thick–thin contrast, balancing traditional serif cues with a crisp, contemporary sharpness. It prioritizes headline presence and tonal authority, using hairline details and vertical stress to create a striking, print-like rhythm.

In the sample text, the dense spacing and strong contrast create a powerful typographic “color” at larger sizes, while the thinnest strokes become a key visual feature. Round letters like O/Q and bowl structures in B/P show a tight, high-stress construction that amplifies the sense of sharpness and drama.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸