Sans Superellipse Remuy 2 is a light, very narrow, monoline, upright, normal x-height font.
Keywords: ui labels, headlines, posters, signage, branding, modern, technical, minimal, clean, futuristic, space saving, modernity, precision, clarity, geometric unity, rounded corners, rectilinear, geometric, condensed, crisp.
A condensed, monoline sans with a distinctly rectilinear construction softened by rounded corners. Curves tend to resolve into superellipse-like forms—particularly in C, O, Q, and the bowls of B and P—giving the face a consistent rounded-rectangle geometry. Strokes are even and clean, terminals are mostly blunt with gentle rounding, and apertures are narrow, producing a tight, vertical rhythm. Uppercase proportions are tall and streamlined; lowercase forms follow a simple, single-storey approach where applicable, with a compact, controlled feel in counters and joins. Numerals echo the same narrow, rounded-rect style, keeping texture uniform in mixed text and UI-like settings.
Well suited to interfaces and labeling where compact width helps conserve space, as well as for modern headlines, posters, and wayfinding that benefit from a tall, streamlined texture. Its distinctive rounded-rect geometry can also support contemporary branding systems, especially in tech, product, and architectural contexts.
The overall tone is sleek and contemporary, with a mildly futuristic, engineered character. Its tall proportions and restrained detailing read as efficient and utilitarian, while the rounded corners add a friendly softness that keeps it from feeling harsh or purely industrial.
The letterforms suggest an intention to merge geometric efficiency with a softened, approachable finish. By combining strict vertical proportions and monoline construction with rounded-rectangle curves, the design aims to feel precise and contemporary while remaining visually smooth and cohesive in continuous text.
The design maintains strong stylistic consistency across letters and figures, with rounded-rect bowls, narrow sidebearings, and minimal modulation creating an even typographic color. The narrow apertures and tight counters increase the sense of density and precision, especially in word shapes and all-caps settings.