Sans Superellipse Asdoh 5 is a light, very narrow, monoline, upright, short x-height font.
Keywords: headlines, posters, branding, packaging, ui labels, minimal, modern, technical, clean, quirky, space-saving, geometric clarity, modern branding, neutral utility, condensed, rounded, geometric, rectilinear, tall ascenders.
A condensed monoline sans with rounded-rectangle construction and softly squared curves. Strokes stay consistently thin, with rounded terminals and corners that give the forms a superelliptical, rectilinear rhythm rather than purely circular geometry. Counters are compact and vertically oriented, and the overall texture is airy with generous internal white space. The lowercase is notably small relative to the uppercase, while ascenders and descenders read tall, producing a long, vertical cadence. Figures are simple and linear, matching the letterforms’ narrow, upright stance.
Best suited to display and short text where its condensed silhouette can add height and efficiency—headlines, posters, packaging, and brand wordmarks. It can also work for UI labels and navigational text where a clean, narrow voice is desired, though its delicate strokes and petite lowercase suggest keeping sizes and contrast conditions in mind.
The overall tone is modern and stripped-back, with a subtle engineered feel from its tall proportions and rounded-rectangle logic. At the same time, the softened corners and slightly idiosyncratic narrowness keep it approachable and a bit quirky rather than austere. It reads as clean and contemporary, suited to understated branding and interface-forward aesthetics.
The design appears intended to deliver a sleek condensed sans built from rounded-rectilinear primitives, balancing geometric clarity with softened corners. It aims for a distinctive vertical presence and a contemporary, minimal texture that stands apart from conventional neo-grotesques while remaining broadly utilitarian.
The font’s character comes from the tension between strict verticality and softened geometry: straight stems dominate, while bowls and joins resolve into rounded-square shapes. Spacing appears even and calm in text, and the consistent thin stroke emphasizes a refined, delicate presence over loud display impact.