Sans Superellipse Adkat 1 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Futo Sans' by HB Font, 'Olney' by Philatype, 'RBNo3.1' by René Bieder, and 'Celdum' and 'Metral' by The Northern Block (names referenced only for comparison).
Keywords: ui design, app branding, wayfinding, dashboards, packaging, modern, technical, clean, friendly, ui clarity, modernism, systematic geometry, approachability, rounded corners, squared bowls, geometric, monoline, open apertures.
A geometric sans built from rounded-rectangle and superellipse forms, combining straight stems with softly radiused corners. Strokes are largely monoline with clean, flat terminals and a steady rhythm, producing crisp silhouettes and even color in text. Counters tend toward squared bowls with rounded corners, and many curves resolve into gently flattened arcs rather than perfect circles. Proportions feel compact and utilitarian, with a tall lowercase body and clear separations between stems and bowls for legibility.
Well suited to user interfaces, product branding, and tech-oriented identities where a clean, contemporary voice is needed. Its stable stroke weight and rounded geometry also work well for wayfinding, dashboards, and short-to-medium text in print or on screen, especially where a slightly softened, modern aesthetic is desirable.
The tone reads contemporary and engineered—sleek and pragmatic, but softened by rounded corners that keep it approachable. It suggests a digital-interface sensibility, balancing precision with a mild friendliness rather than overt personality or nostalgia.
The font appears designed to deliver a modern geometric sans that feels systematic and screen-native, using superelliptical construction to unify curves and corners. The intention seems to be high clarity with a distinctive rounded-rect character that differentiates it from purely circular geometrics while staying neutral and versatile.
The design leans on consistent corner radii and superelliptical curvature, which gives letters and numerals a cohesive “rounded-square” logic. Numerals and uppercase show a sturdy, signage-like presence, while the lowercase maintains clarity through open shapes and straightforward construction.