Sans Superellipse Arrog 2 is a light, very wide, monoline, upright, normal x-height font.
Keywords: tech branding, ui titles, headlines, product logos, wayfinding, futuristic, technical, minimal, clean, sci‑fi, geometric clarity, systemic feel, modern branding, interface tone, futuristic styling, rounded corners, squared rounds, geometric, open counters, extended tracking.
A geometric sans built from rounded-rectangle and superellipse logic, with consistently softened corners and clean, monoline strokes. The proportions run notably extended, with wide bowls and broad horizontals that create an airy footprint and a steady left-to-right rhythm. Curves tend to resolve into flat terminals or gently radiused joins, producing squarish rounds in letters like C, O, and D, while diagonals (A, K, V, W, X, Y) stay crisp and mechanical. Counters are open and evenly weighted, and the lowercase keeps simple, almost single-storey constructions with restrained modulation between straight and curved segments.
Well-suited to technology-focused branding, product marks, and headline typography where a sleek, geometric voice is desired. The wide proportions and clear, open shapes can work effectively for UI titles, dashboards, and signage/wayfinding, especially at medium to large sizes where its rounded-rect construction reads crisply.
The overall tone is contemporary and tech-forward, balancing friendliness from the rounded corners with a precise, engineered feel. It reads as sleek and controlled rather than expressive, suggesting interfaces, devices, and speculative or sci-fi branding. The wide stance and generous interior space give it a calm, uncluttered presence even when set in longer lines.
The design appears intended to translate a rounded-rect, superelliptic geometry into a neutral sans that feels modern and system-like. By keeping strokes consistent and terminals clean, it prioritizes clarity and a futuristic industrial character suitable for contemporary digital contexts.
Several glyphs lean into squared geometry—especially the rounded-rect O/0 and the boxy curves in e/c/s—giving the design a consistent superelliptic signature. Numerals follow the same logic with open, horizontal forms (notably the segmented-looking 2 and 3), reinforcing a digital/industrial flavor. In text settings the long proportions and open apertures can benefit from thoughtful tracking and line length to maintain comfortable reading cadence.