Sans Superellipse Arrog 1 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: ui labels, headlines, signage, tech branding, posters, futuristic, minimal, technical, sleek, calm, interface clarity, geometric system, modern branding, display impact, rounded corners, open counters, geometric, modular, austere.
A geometric sans built from rounded-rectangle and superellipse primitives, with consistent monoline strokes and generously radiused corners. Curves tend to resolve into softened squarish bowls (seen in C, O, D, 0, 8) while straight segments stay crisp and horizontal/vertical, creating a clean modular rhythm. The proportions emphasize breadth and spacing, with ample sidebearings and open interior counters that keep forms legible despite the light stroke. Terminals are mostly blunt and squared-off with rounding rather than tapering, and diagonals (A, V, W, X, Y) are straight and sharply joined, reinforcing a constructed, engineered feel.
Best suited to large-size settings such as UI headings, navigation labels, posters, and modern signage where its wide stance and light stroke can breathe. It also works well for tech-forward branding and packaging where a clean, geometric voice is desired; for long passages of small body text it may require generous sizing and spacing to maintain presence.
The overall tone reads futuristic and technical, like interface lettering or product labeling for modern electronics. Its rounded geometry softens the otherwise strict construction, giving it a friendly, calm neutrality rather than an aggressive sci‑fi aesthetic.
The design appears intended to translate a rounded-rectangular, superellipse geometry into a coherent alphabet for contemporary digital and industrial contexts. It prioritizes consistency of stroke and corner logic, aiming for a sleek, system-driven look that remains approachable through softened corners.
Distinctive superelliptical bowls and rounded-rectangle joins produce a consistent "soft-square" motif across letters and numerals. The uppercase set feels especially display-oriented, while the lowercase maintains the same geometry with simplified, single-storey forms. Numerals follow the same system, with squared curves and open shapes that prioritize clarity.