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Free for Commercial Use

Sans Normal Okbar 11 is a bold, normal width, low contrast, upright, short x-height font visually similar to 'Metcon' by Comicraft; 'Agenor', 'Geometos Neue', and 'Geometos Soft' by Graphite; 'Postmark Display' by Milan Pleva; 'Grotica' by Runsell Type; and 'Transat Text' by Typetanic Fonts (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, ui labels, modern, friendly, clean, confident, approachable, clarity, impact, modernity, utility, approachability, geometric, rounded, compact, sturdy, crisp.


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A sturdy, geometric sans with round bowls and softly squared curve transitions. Strokes are consistently thick with minimal modulation, producing even color and strong presence. Counters are relatively open for the weight, while terminals are mostly flat and clean, with occasional gentle rounding at joins. Uppercase forms feel compact and built from simple circles and straight stems; lowercase is similarly geometric, with a single-storey “a” and “g” and a simple, straight-shouldered “r”. Numerals are clear and robust, with round forms for 0/8/9 and straightforward construction across the set.

Well suited to headlines, short paragraphs, and prominent UI or product labeling where strong legibility and impact are needed. Its compact, rounded geometry also works well for branding, packaging, and signage applications that benefit from a friendly but assertive voice.

The overall tone is contemporary and friendly, balancing a no-nonsense clarity with warm, rounded shapes. It reads as practical and confident rather than flashy, making it feel dependable and approachable in everyday communication.

The design appears intended to provide a straightforward, geometric sans with high visual presence and reliable readability. Its simplified forms and rounded construction suggest an emphasis on clean reproduction across sizes and contexts, with a tone that stays modern and approachable.

Spacing appears moderately tight and the heavy strokes create strong visual density, especially in longer lines of text. The design’s geometry and smooth curves give it a consistent rhythm, while the compact proportions help headings feel solid without becoming overly wide.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸