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Sans Superellipse Idmut 4 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Memesique' by Egor Stremousov and 'Mind The Caps' by Shaped Fonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, sports branding, signage, impactful, condensed, poster-ready, sporty, industrial, space saving, attention grabbing, brand stamping, signage clarity, modern utility, blocky, compact, rounded corners, rectilinear, high density.


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A compact, heavy sans with a distinctly squarish construction softened by rounded corners and superellipse-like curves. Strokes stay broadly uniform, producing dense black shapes with minimal internal counters and tight apertures, especially in letters like a, e, and s. The rhythm is compressed and efficient, with sturdy verticals and blunt terminals; curves (C, G, O, S) read more like rounded rectangles than true circles. Lowercase forms are simple and sturdy, and the numerals match the same compact, block-forward logic for consistent color in display settings.

Best suited to big, high-impact typography such as posters, headlines, short calls-to-action, packaging panels, and bold signage where dense letterforms help hold attention. It also fits sporty or industrial branding systems that benefit from compact width and strong silhouette-based recognition.

The tone is assertive and utilitarian, with a loud, attention-grabbing presence that feels at home in signage and headline-driven design. Its compact width and solid silhouettes project strength and immediacy, suggesting a contemporary, workmanlike energy with a hint of athletic or industrial branding.

The design appears intended to deliver maximum punch in minimal horizontal space, using rounded-rectilinear geometry and uniform stroke weight to create a cohesive, high-density display voice. It prioritizes bold silhouette and consistent texture over delicate detailing, making it effective for emphatic, brand-forward messaging.

At large sizes the heavy weight and small counters create strong typographic texture, while at smaller sizes the enclosed spaces and tight apertures can reduce clarity. The design’s rounded-rectangle geometry gives it a distinctive, engineered character compared to more purely geometric or grotesque sans styles.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸