Slab Square Tyta 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Brohero' by Alit Design, 'Friend Or Foe Tall BB' by Blambot, 'Collegium' by GRIN3 (Nowak), 'Privilege Sign JNL' by Jeff Levine, 'Dasport' by Pandeka Studio, 'Contraption' by Pink Broccoli, 'Gemsbuck Pro' by Studio Fat Cat, and 'Buyan' by Yu Type (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, logos, athletic, retro, industrial, assertive, no-nonsense, impact, motion, ruggedness, branding, display, blocky, angular, chiseled, bracketless, condensed.
A heavy, condensed italic slab with a strongly angular construction and crisp, square-ended serifs. Stems and arms keep an even, low-contrast weight, while corners are cut with pronounced chamfers that create a faceted, almost chiseled silhouette. The italic slant is consistent across caps, lowercase, and figures, producing a forward-leaning rhythm with compact counters and tight interior spaces. Terminals stay flat and firm, emphasizing a sturdy, mechanical presence.
Well suited for sports and team identities, event posters, bold editorial headlines, and packaging that needs a tough, energetic voice. It also works for logo wordmarks and short slogans where the condensed, italicized mass can create a strong directional pull.
The font projects speed and impact with a sporty, poster-like energy. Its hard corners and blocky slabs add an industrial toughness, while the italic stance suggests motion and urgency. Overall it feels bold, direct, and slightly retro, like classic athletic branding or mid-century display lettering.
The design appears intended as a high-impact display slab that combines condensed economy with a sense of motion. Its faceted cuts and square slabs prioritize punchy silhouette recognition and a rugged, engineered tone in large-size typography.
Caps read especially commanding due to the tall, vertical emphasis and broad slab feet. Lowercase maintains the same faceted logic, keeping a cohesive texture in longer lines, though the dense shapes and narrow apertures favor display sizing over small text. Numerals share the same angular, cut-corner treatment, keeping the set visually unified for headlines and scoring-style readouts.