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Free for Commercial Use

Sans Normal Wekad 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Alaturka' by Bülent Yüksel; 'Kirkly' by Kirk Font Studio; 'Campora' by W Type Foundry; and 'Museo', 'Museo Cyrillic', and 'Museo Sans Rounded' by exljbris (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, friendly, confident, playful, chunky, retro, impact, approachability, display clarity, brand voice, rounded, stout, soft-cornered, compact, punchy.


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A very heavy, rounded sans with compact proportions and strongly simplified geometry. Strokes are thick and even, with soft corners and broad, open curves that keep counters readable despite the weight. Terminals tend to be blunt and squared-off rather than tapered, giving the letters a sturdy, blocky silhouette; overall rhythm is steady and low-detail, with minimal modulation and a slightly condensed feel in several forms. Figures are equally bold and wide-set, designed to hold up at large sizes where the shapes can read as solid, graphic blocks.

This font is well suited to headlines, posters, and display typography where strong presence and quick recognition matter. It can work effectively for packaging, branding marks, and signage that benefits from a friendly, high-impact tone, especially when paired with ample whitespace and moderate letterspacing.

The font projects a friendly, approachable boldness—more playful than formal—while still feeling stable and dependable. Its rounded, chunky shapes suggest a retro-leaning, poster-ready tone with a casual warmth that works well for upbeat messaging.

The design appears intended to deliver maximum visual impact with a welcoming, rounded character—prioritizing bold silhouettes, simple construction, and legibility at display sizes over delicate detail. It aims to feel contemporary and approachable while borrowing some of the sturdy, nostalgic punch of classic heavy sans styles.

In the sample text, the heavy color creates strong impact and clear hierarchy, but the tight internal space in some letters suggests it will perform best with a bit of extra tracking and generous line spacing in longer settings. The overall personality is consistent across uppercase, lowercase, and numerals, maintaining the same robust, soft-edged voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸