Sans Superellipse Wume 4 is a very bold, very wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, branding, packaging, techy, industrial, sporty, futuristic, assertive, impact, modernity, brand presence, tech feel, performance, extended, rounded corners, squared rounds, blocky, geometric.
A heavy, extended sans with a squared-round construction: bowls and counters read like rounded rectangles, while joins and terminals stay crisp and planar. Curves are tightened and slightly flattened, giving letters a superelliptical feel rather than purely circular geometry. The stroke weight is robust and consistent, with minimal modulation; spacing is compact for the mass of the forms, and the wide set creates strong horizontal momentum. Uppercase shapes are broad and stable, while lowercase maintains the same blocky logic with rounded corners and sturdy stems; numerals follow suit with wide, low-contrast forms and squared counters.
Best suited to large-size display work where its width and mass can project authority—headlines, posters, sports and tech branding, packaging, and punchy logotypes. It can also work for short UI labels or signage when ample horizontal space is available and maximum emphasis is desired.
The overall tone is confident and high-impact, with a contemporary, engineered character. Its broad, squared-round forms evoke performance branding and tech-forward interfaces, reading as bold, controlled, and slightly futuristic rather than friendly or calligraphic.
The design appears intended to deliver maximum visual impact with a modern, engineered silhouette—combining hard-edged structure with softened corners for a sleek, contemporary feel. The wide proportions and superelliptical rounds suggest a focus on branding presence and high legibility at display sizes.
The most distinctive signature is the rounded-rectangle/capsule geometry throughout (notably in C, G, O/Q and the counters of B/8/9), paired with straight, trimmed terminals. Diagonals in letters like K, V, W, X, Y, and Z are clean and angular, balancing the softened corners elsewhere and reinforcing a purposeful, mechanical rhythm.