Sans Superellipse Verid 2 is a light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, branding, ui, posters, product design, futuristic, techy, clean, sleek, playful, modernism, system design, friendly tech, geometric consistency, display clarity, rounded, geometric, soft corners, modular, streamlined.
This typeface is built from smooth, rounded-rectangle (superellipse) forms with consistent, even stroke weight and generous curvature at corners and terminals. Letter shapes feel modular and engineered, mixing broad, open bowls with squared-off curves and occasional straight segments that create a tidy, grid-friendly rhythm. The uppercase set is expansive and airy, while the lowercase keeps similarly wide proportions with simplified construction (notably in characters like a, e, and s) that emphasizes clarity and shape consistency. Numerals follow the same rounded geometry, with open, horizontal emphasis and squared curves that keep counters and terminals uniform.
It performs best in display contexts where its wide, rounded geometry can read clearly and set a contemporary tone—such as headlines, tech or lifestyle branding, product wordmarks, and interface or dashboard typography. The clean, modular construction also suits signage-style short phrases and large-format poster work.
The overall tone is modern and high-tech, with a smooth, UI-forward cleanliness that reads as futuristic without becoming harsh. Rounded corners soften the geometry, giving it an approachable, slightly playful feel while still communicating precision and systematized design.
The design appears intended to deliver a cohesive, system-like geometric look based on superellipse curves, prioritizing consistent construction, smooth terminals, and a contemporary, tech-oriented personality. It aims to balance precision with friendliness through softened corners and open interior space.
Many glyphs show a distinctive superelliptical “capsule” logic, where curves resolve into flattened arcs rather than perfect circles. Counters tend to be wide and open, and several forms lean on horizontal strokes and rounded corners to maintain a consistent visual voice across letters and figures.