Serif Other Ufba 7 is a bold, normal width, monoline, upright, tall x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Midsole' by Grype, 'EFCO Colburn' by Ilham Herry, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: posters, branding, logotypes, sports titles, packaging, retro, athletic, headline, industrial, confident, impact, retro signage, geometric serif, brand presence, display clarity, squared, chamfered, flared serifs, stencil-like, compact.
A high-contrast-in-effect display serif built from stout, even-weight strokes with squared counters and softened, chamfered corners. Serifs are present but treated as short, flared wedges that read more like crisp notches than traditional bracketed forms. The letterforms favor boxy geometry (notably in C, O, Q, and the numerals), with mostly straight-sided bowls, flat terminals, and a tight, engineered rhythm. Lowercase forms are sturdy and simplified, with a single-storey a and g, broad shoulders, and compact apertures that keep the texture dense and emphatic.
This font is well suited to posters, cover titling, branding marks, sports or event graphics, and packaging where a compact, punchy serif can carry the message. It performs best at medium to large sizes, where the chamfered details and squared counters remain clear and contribute to its distinctive texture.
The overall tone is bold and assertive with a distinctly retro, badge-like flavor. Its squared shapes and chiseled serif accents evoke athletic signage and industrial labeling, lending a confident, slightly theatrical presence in short bursts of text.
The design appears intended to merge serif identity with a squared, engineered construction, creating a display face that feels both classic and modernized. Its simplified curves, wedge-like serifs, and modular numerals suggest a focus on impact, consistency, and a strong headline voice.
Figures are particularly squared and modular, matching the caps’ geometry and reinforcing a systemized, display-oriented voice. Diacritics and punctuation aren’t shown here; the sample demonstrates strong consistency across caps, lowercase, and numerals, with spacing that supports large-size readability.