Print Hidod 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'AG Royal' by Berthold, 'Copperplate New' by Caron twice, 'Mister London' and 'Point Panther' by Sarid Ezra, 'Frygia' by Stawix, 'Mundial Narrow' by TipoType, 'TT Norms Pro' by TypeType, and 'Hartwell' by W Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids media, stickers, playful, friendly, retro, chunky, quirky, handmade charm, high impact, retro novelty, approachable display, rounded, blobby, soft-cornered, cartoonish, bouncy.
A very heavy, rounded display face with a hand-drawn, print-like construction and softly irregular contours. Strokes are thick and blunt-ended, with subtly wavy edges and occasional pinched or flared joins that create a lively, uneven rhythm. Counters tend to be compact and somewhat asymmetric, while curves are full and inflated, giving the overall silhouette a chunky, poster-ready presence. The lowercase shows a simple, single-storey approach where applicable, and the numerals match the same stout, slightly wobbly massing.
Well suited to short, attention-grabbing text such as posters, headlines, titles, and bold callouts. It also fits packaging and labels that want a handcrafted, playful feel, plus children’s materials, casual branding, and sticker/merch-style graphics where character is more important than neutrality.
The font reads as warm and informal, with a cartoon-like bounce that feels approachable rather than strict. Its irregularities add personality and a lighthearted tone, suggesting handmade charm and a touch of vintage novelty signage.
Likely designed to deliver maximum boldness with a friendly, hand-rendered flavor, echoing painted or cutout letterforms seen in retro novelty print. The intent appears to prioritize personality, immediacy, and high-contrast silhouette recognition in display settings.
The strongest visual impact comes from the dense black shapes and soft, rounded corners, which keep the texture friendly despite the weight. At smaller sizes the tight counters and heavy joins may start to close up, while at headline sizes the uneven stroke edges become a defining feature.