Print Hikap 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Level' by District, 'FF Good' by FontFont, 'Alergia Grotesk' by Machalski, 'Roihu' by Melvastype, and 'Gardenia' by W Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids media, stickers, playful, chunky, bouncy, friendly, retro, approachability, handmade feel, display impact, youthful tone, rounded, soft, blobby, cartoonish, informal.
A heavy, rounded hand-drawn print style with a consistent forward slant and softly sculpted, brush-like strokes. Letterforms are compact and chunky, with slightly uneven curves and terminals that create a natural, handmade rhythm. Counters are generous but irregular, and several glyphs show small idiosyncrasies (like varied bowl shapes and subtly shifting stem thickness) that reinforce an organic, drawn-on look. Numerals share the same bold, cushioned shapes and maintain strong presence at display sizes.
Well suited to display typography such as posters, splashy headlines, product packaging, and branding that benefits from a friendly, handmade presence. It also fits children’s materials, casual signage, and social graphics where bold, playful letterforms help text stay readable and engaging.
The overall tone is upbeat and approachable, with a casual charm that feels energetic rather than refined. Its bold, cushy silhouettes and lively slant suggest a lighthearted, youthful voice suited to fun messaging and expressive headlines.
The design appears intended to deliver a bold, informal handwritten print voice with a consistent slant and rounded forms, prioritizing warmth and personality over strict geometric precision. Its slightly irregular construction suggests it was drawn to feel human and lively while remaining clear at larger sizes.
The texture reads as smooth and solid rather than textured or distressed, relying on shape wobble and rounded geometry for character. Spacing appears comfortable in short lines, and the strong mass of the strokes makes the design most effective where clarity and personality matter more than neutrality.