Sans Faceted Pahu 2 is a light, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, posters, branding, ui labels, packaging, techy, futuristic, schematic, precise, quirky, futuristic voice, geometric clarity, distinct labeling, motion emphasis, faceted, monoline, angular, beveled, rounded corners.
A faceted, monoline sans with an oblique stance and crisp, chamfered joins that replace full curves with short planar segments. Strokes keep an even thickness throughout, with softened corners that read as clipped or beveled rather than truly round. Proportions are compact and upright in structure but consistently slanted, with open counters and clean apertures that keep forms airy. The lowercase is simple and geometric, while caps lean toward wide, architectural shapes; numerals echo the same chamfered geometry for a cohesive set.
Best suited to display typography where its faceted geometry can be appreciated: headlines, posters, product branding, and tech-leaning packaging. It can also work for UI labels, signage, and schematic or dashboard-like graphics where a clean monoline look with a distinctive voice helps differentiate categories or states.
The overall tone feels technical and forward-leaning, like labeling on instruments or interface typography. The faceting adds a subtle sci‑fi flavor, while the light, even stroke and open counters keep it approachable rather than aggressive. It balances precision with a slightly idiosyncratic rhythm that can feel distinctive in short reads.
The design appears intended to translate geometric, engineered forms into a readable sans by using chamfers and planar segments as a unifying idea. Its goal seems to be a futuristic, instrument-like voice that remains legible through open counters and restrained stroke modulation, while the oblique stance adds speed and modernity.
Several glyphs emphasize the design’s planar construction through clipped terminals and polygonal bowls, producing a consistent "cut" motif across letters and figures. The oblique slant is integral to the style, giving lines of text a continuous directional flow and a sense of motion, especially in all-caps settings.