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Free for Commercial Use

Sans Superellipse Osmew 15 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Almarena Neue' by Almarena, 'Flaco' by Letter Edit, 'NeoGram' by The Northern Block, and 'Cern' by Wordshape (names referenced only for comparison).

Keywords: headlines, branding, posters, ui labels, signage, modern, friendly, confident, clean, techy, modernize, soften geometry, maximize impact, improve clarity, geometric, rounded, sturdy, compact, monoline.


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A heavy, geometric sans with softly squared curves and round forms that read as superelliptical rather than purely circular. Strokes are monoline with minimal modulation, and counters are roomy but compacted by the overall weight, producing dense, solid lettershapes. Terminals are clean and mostly flat, with rounded joins that keep corners from feeling sharp; bowls and shoulders (as in B, R, S, a, g) are smooth and consistently constructed. Uppercase proportions feel broad and stable, while lowercase keeps a straightforward, utilitarian rhythm; the single-storey a and g reinforce a contemporary, geometric build. Numerals are robust and highly legible, with the 0 close to an oval/superellipse and the 1 rendered as a simple vertical with a small top detail.

Well-suited to headlines, logos, and brand wordmarks where a solid, modern presence is needed without sharp aggressiveness. The sturdy shapes and clear numerals also make it a good fit for UI labels, product packaging, and signage, especially at medium-to-large sizes where its smooth geometry reads cleanly.

The overall tone is contemporary and approachable, balancing a corporate cleanliness with a friendly softness from the rounded-rectangle geometry. Its weight and compact color give it confidence and impact, while the softened corners prevent it from feeling harsh or overly technical.

The font appears designed to deliver a modern, geometric voice with softened corners—aiming for high-impact readability and a contemporary feel that remains friendly and accessible.

The design shows a clear preference for simplified, modern constructions (notably in a, g, and the straightforward y), and the punctuation in the sample text sits comfortably at display sizes. The dense weight creates strong figure–ground contrast, making it particularly effective when set large or in short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸