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Free for Commercial Use

Sans Normal Bimug 2 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'FS Koopman' by Fontsmith, 'Passenger Sans' and 'Passenger Sans Cyrillic' by Indian Type Foundry, and 'Cabrion' by Lafontype (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, packaging, modern, friendly, confident, clean, pragmatic, clarity, modern branding, high impact, legibility, systematic, geometric, rounded, sturdy, open counters, even rhythm.


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A heavy, geometric sans with round, smoothly drawn curves and broadly consistent stroke thickness. The letterforms feel compact and sturdy, with wide, open counters in bowls like O, D, P, and R and a clear, high-contrast negative space that helps legibility at display sizes. Terminals are mostly blunt and clean, and joins are crisp without becoming sharp or spiky. The numerals and capitals read as stable and structured, while the lowercase keeps a simple, workmanlike construction with straightforward bowls and minimal modulation.

This font is well suited to bold headlines, brand marks, packaging, and signage where strong shapes and quick recognition matter. It also works for short passages and UI-style callouts when you want a firm, modern voice, though its weight suggests it will be most comfortable at larger sizes or in limited text settings.

The overall tone is modern and confident, with a friendly, approachable softness coming from the rounded geometry. It reads as straightforward and professional rather than expressive, with a calm, utilitarian rhythm suited to clear communication.

The design appears intended to deliver a durable, geometric sans voice that remains friendly through rounded forms while staying highly legible and visually consistent. It prioritizes clarity, strong presence, and clean reproduction across common display and informational contexts.

The uppercase set appears particularly solid and headline-ready, with generous interior spaces that keep forms from clogging. The digit shapes are similarly robust and easy to distinguish, supporting prominent numeric callouts. Spacing in the samples feels even and regular, reinforcing a clean, systematic texture in paragraphs and short blocks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸