Sans Superellipse Abmah 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Flexo' and 'Flexo Soft' by Durotype, 'EB Corp' by Eko Bimantara, 'Azbuka' by Monotype, 'Bitner' by The Northern Block, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: ui text, product design, branding, signage, editorial, modern, friendly, clean, techy, neutral, everyday utility, geometric clarity, approachable modernity, interface friendliness, rounded, geometric, monoline, soft-cornered, open counters.
A clean geometric sans with softly rounded, superellipse-like curves and largely uniform stroke weight. Letterforms favor simple construction and open counters, with round shapes (O, o, 0) leaning slightly oval and corners consistently eased rather than sharp. Capitals are straightforward and compact, while lowercase forms keep a steady rhythm with clear joins and minimal modulation; the single-storey a and g reinforce the geometric, contemporary build. Numerals are uncomplicated and highly legible, matching the same rounded-rectangular logic seen throughout the alphabet.
Its clear shapes and even color make it a strong choice for UI labels, product interfaces, dashboards, and general-purpose digital typography. The rounded geometry also suits contemporary branding and packaging, while remaining readable enough for short editorial passages, captions, and wayfinding-style signage.
The overall tone is modern and approachable, combining a precise, engineered geometry with softened edges that feel friendly rather than clinical. It reads as contemporary and utilitarian, with a subtle tech sensibility suited to interface-forward branding.
The font appears designed to deliver a versatile everyday sans with a geometric foundation and softened corners, aiming for high legibility and a calm, modern voice. The consistent superellipse-inspired curves suggest an intention to feel current and screen-friendly without becoming overtly stylized.
The design maintains consistent curvature and terminal treatment across glyphs, producing an even texture in paragraphs. Spacing appears balanced and stable in running text, and the punctuation integrates without calling attention to itself.