Sans Faceted Myto 6 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Lagu Sans' by Alessio Laiso Type, 'Impara' by Hoftype, 'Moris' by Katatrad, 'Skeena' by Microsoft Corporation, 'Belle Sans' by Park Street Studio, and 'Organic Pro' by Positype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, angular, industrial, assertive, retro, comic-book, impact, distinctiveness, ruggedness, graphic texture, retro display, faceted, blocky, hard-edged, geometric, chiseled.
This typeface is built from hard, planar facets that replace curves with short straight segments, producing a chiseled, polygonal silhouette throughout. Strokes are heavy and mostly uniform, with crisp corners, flattened terminals, and occasional stepped joins that create a cut-paper or carved look. The forms are compact and sturdy, with squared counters and slightly irregular, hand-cut angles that keep the rhythm lively while remaining clearly structured.
Best suited for headlines, posters, packaging, and branding where a bold, angular voice is desirable. It can work well for event titles, sports or action-themed graphics, and logo or wordmark explorations that benefit from a faceted, cut-from-solid aesthetic.
The overall tone is forceful and punchy, with a rugged, mechanical edge that reads as intentionally rough-hewn rather than polished. Its angular construction evokes retro display lettering and graphic, poster-like energy, lending a playful toughness that can feel both industrial and comic-book adjacent.
The design appears intended to translate a carved, faceted construction into a robust sans display, prioritizing impact and distinctive texture over smooth readability. Its consistent planar breaks and clipped terminals suggest a deliberate attempt to create a sharp, graphic identity that stands out at larger sizes.
In text settings the dense color and faceted corners create strong texture; spacing appears generous enough for display sizes, while the sharp interior angles and clipped counters can make long passages feel busy. Numerals and caps share the same carved geometry, supporting a consistent, emblematic presence in headings and short statements.