Sans Superellipse Onbez 12 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Pragmatik' by Christopher Stahl, 'Foda Sans' by Fo Da, 'FF Infra' by FontFont, 'Monto Screen' by Lucas Tillian, and 'Biwa' by Wordshape (names referenced only for comparison).
Keywords: ui text, product design, branding, signage, dashboards, clean, modern, neutral, friendly, techy, clarity, neutrality, modernity, interface use, geometric voice, geometric, rounded, crisp, open, stable.
This sans-serif features sturdy, geometric construction with softly squared curves and rounded-rectangle counters that keep forms feeling smooth rather than perfectly circular. Strokes are even and consistent, with clean terminals and minimal modulation, producing a steady rhythm across text. Proportions are practical and legible: wide apertures on letters like C, S, and e, generous internal space in bowls (B, 8), and a straightforward, low-contrast skeleton throughout. In the sample text it holds its shape at large sizes with clear character separation and a tidy, contemporary texture.
Well-suited for UI and product typography where clarity and consistency matter, including navigation labels, settings screens, and dashboards. Its clean geometry and strong readability also make it a solid choice for wayfinding, packaging, and contemporary brand systems that need a neutral, dependable sans.
The overall tone is modern and matter-of-fact, with a subtly friendly edge coming from the rounded geometry. It reads as contemporary and systems-minded—appropriate for interfaces and product communication—without feeling cold or overly stylized.
The design appears aimed at a utilitarian, contemporary sans with rounded-rectangular geometry for a distinctive but restrained personality. It prioritizes clear counters, even stroke behavior, and stable proportions to perform reliably in both display copy and everyday text settings.
Round forms lean toward a squarish “superellipse” feel, giving O/0 and bowls a compact, engineered character. Uppercase shapes are assertive and stable, while lowercase stays simple and workmanlike, keeping a consistent, uncluttered voice across headlines and paragraphs.