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Free for Commercial Use

Sans Normal Akkih 10 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Contempo Gothic' by Arkitype, 'Andrial' by Ckhans Fonts, 'Giriton' by Hazztype, 'Meticula' by KushJain, 'Madani' and 'Madani Arabic' by NamelaType, and 'Causten' and 'Causten Round' by Trustha (names referenced only for comparison).

Keywords: branding, headlines, packaging, ui labels, signage, modern, friendly, clean, confident, neutral, modernize, improve legibility, friendly clarity, brand neutrality, rounded, geometric, open counters, high contrast joins, crisp terminals.


Free for commercial use
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A robust sans with rounded, geometric construction and largely uniform stroke weight. Curves are smooth and circular, with open counters and generous interior space that keeps forms clear at display sizes. Terminals are clean and mostly straight-cut, while joins stay crisp; diagonals (as in K, V, W, X, Y) are firm and steady rather than calligraphic. Lowercase forms read straightforward and contemporary, with a single-storey a and g, a compact, hook-like f, and a simple, readable numeral set built from the same rounded logic.

This font suits branding systems that need a clean, approachable voice, and it performs well in headlines, posters, packaging, and short blocks of copy where its rounded geometry can stand out. The sturdy shapes and open counters also make it suitable for UI labels, navigation, and signage where quick recognition is important.

The overall tone is modern and approachable, balancing a friendly roundness with a solid, no-nonsense presence. It feels contemporary and practical rather than quirky, projecting clarity and confidence in short headlines and brand statements.

The design appears intended to provide a contemporary, geometric sans with a friendly roundness and strong legibility, offering a dependable voice for modern identity and display typography while remaining clean enough for interface and informational use.

The design maintains consistent roundness across bowls and numerals, giving text a cohesive rhythm. Uppercase shapes lean toward geometric clarity (notably in O/Q) while maintaining enough humanized detail to avoid looking sterile in running sample lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸