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Free for Commercial Use

Inline Agdo 7 is a regular weight, wide, medium contrast, upright, short x-height font.

Keywords: posters, headlines, branding, packaging, invitations, victorian, circus, playful, decorative, quirky, vintage display, ornamental texture, theatrical impact, signage feel, period styling, inline, ornamental, bracketed serifs, high-waist, flared terminals.


Free for commercial use
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A decorative serif design built from fairly sturdy strokes that are split by a consistent inline cut, creating a hollowed, engraved look throughout. The letterforms are upright with wide-set proportions and a lively, slightly uneven rhythm across the alphabet. Serifs are bracketed and sometimes flare into small wedges, while curves show pronounced swelling and taper that emphasizes the internal line. Uppercase forms read as display-oriented with generous bowls and open counters, and the lowercase keeps a relatively small x-height with tall ascenders and distinctive, sometimes quirky terminals. Numerals follow the same inline construction, with round forms and curled details that reinforce the ornamental theme.

Best suited to display settings such as posters, headlines, event materials, and branding where the inline detail can be appreciated. It can also work for short editorial pull quotes or packaging labels that benefit from a vintage, ornamental voice, but the carved interior lines suggest using it at moderate-to-large sizes for clarity.

The inline carving and expressive serif shapes evoke vintage show lettering—part Victorian, part circus poster—combining refinement with a playful, slightly eccentric tone. It feels theatrical and handcrafted rather than strictly bookish, with enough ornament to signal “special” at a glance.

The design appears intended to translate classic inline sign-painting and engraved lettering into a cohesive serif font with strong decorative impact. Its proportions and detailing prioritize personality and period flavor over neutrality, making it a purposeful choice for attention-grabbing typographic statements.

The inline detail is prominent and thin enough to become a defining texture at larger sizes, while the overall silhouettes remain readable due to the sturdy outer strokes. Several glyphs feature idiosyncratic curves and terminals that add personality, giving the font a varied, characterful cadence in continuous text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸