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Free for Commercial Use

Wacky Abkol 2 is a very bold, normal width, low contrast, upright, normal x-height font.

Keywords: posters, headlines, event flyers, packaging, logos, playful, chaotic, comic, hand-cut, rebellious, attention-grab, handmade feel, humor, expressiveness, quirk, angular, chunky, irregular, skewed, blocky.


Free for commercial use
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A chunky, all-caps-forward display face built from heavy, angular shapes with irregular geometry and jittery alignment. Strokes feel carved from uneven wedges and slabs, with abrupt corners, occasional notches, and inconsistent counters that shift from letter to letter. The baseline and verticals appear intentionally unsettled, producing a lurching rhythm; widths and sidebearings vary noticeably, and many glyphs look slightly tilted or off-balance. Lowercase echoes the same construction and often reads like compact, simplified companions rather than a separate, calligraphic system; figures are equally blocky and idiosyncratic, with distinctive, cutout-like interiors where applicable.

Best suited for short, high-impact copy such as posters, headlines, event flyers, and playful packaging where personality matters more than neutrality. It can also work for logo wordmarks or title cards when a quirky, handcrafted feel is desired, especially at larger sizes where the angular details read clearly.

The overall tone is mischievous and deliberately unruly, like handmade lettering cut from paper or painted quickly with a broad marker and then sharpened into facets. Its uneven cadence and exaggerated shapes push it toward humor, eccentricity, and attention-grabbing energy rather than refinement.

The design appears intended to mimic spontaneous, hand-made signage with a stylized, cut-and-paste angularity—prioritizing character, surprise, and visual punch over regularity. Its inconsistent contours and lively spacing suggest an expressive display font meant to stand out immediately.

At text sizes the dense silhouettes and uneven spacing create a strong texture, while at larger sizes the quirky cuts and asymmetries become the main feature. The most successful settings are those that embrace its irregular rhythm and allow generous tracking/leading so the forms can breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸