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Serif Normal Mama 10 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Berthold Bodoni' by Berthold; 'Didonesque Stencil', 'Nitida Display', and 'Nitida Headline' by Monotype; 'Bodoni No. 1 SB' and 'Bodoni No. 1 SH' by Scangraphic Digital Type Collection; and 'Bodoni Antiqua' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, editorial, magazine, branding, posters, dramatic, formal, luxury, classic, impact, sophistication, display emphasis, editorial voice, bracketed, ball terminals, sharp serifs, flared joins, sculptural.


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A very heavy serif with striking thick–thin modulation and crisp, sharply finished serifs. The design shows a distinctly calligraphic stress, with tapered hairlines, robust verticals, and frequent wedge-like or beak-like terminals that create a chiseled rhythm. Curves are tightly drawn and often end in pointed or teardrop finishes, while joins and apertures are compact, giving many letters a dense, sculptural silhouette. Numerals and capitals feel tall and commanding, with a strong display-oriented presence and clear contrast between stout stems and fine connecting strokes.

Best suited to large-size typography such as magazine headlines, pull quotes, posters, and brand wordmarks where contrast and sharp terminals can be appreciated. It can also work for short subheads or titling in refined layouts, especially in print-like compositions that benefit from a strong serif voice.

The overall tone is assertive and elegant, pairing classic bookish cues with a theatrical, high-fashion edge. It reads as polished and prestigious, with enough sharpness and contrast to feel dramatic rather than purely traditional.

The design appears intended to deliver a classic serif foundation with heightened contrast and sculpted details, prioritizing impact and sophistication in display text. Its pronounced modulation and pointed finishing suggest a focus on expressive, editorial typography rather than quiet, long-form reading.

Spacing and sidebearings appear tuned for headline settings, where the tight internal counters and strong stroke contrast stay crisp at larger sizes. Distinctive ball-like and pointed terminals add personality, especially in lowercase forms, without pushing into novelty.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸