Print Urbiv 7 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: branding, packaging, posters, book covers, greeting cards, friendly, whimsical, casual, approachable, playful, human warmth, informal clarity, added personality, everyday charm, rounded, soft terminals, hand-drawn, lively, open counters.
This typeface has a hand-drawn, print-like construction with gently irregular curves and subtly uneven stroke flow that keeps the rhythm lively without sacrificing clarity. Forms are largely monolinear with moderate contrast appearing in curved joins and tapered endings, and many terminals finish with soft, rounded tips. The proportions feel slightly variable from letter to letter, with open counters and generous curves in rounds like C, O, and G, while verticals remain relatively steady and upright. Lowercase shapes lean toward simple, readable builds (single-storey a and g), and the numerals are rounded and informal, matching the overall softness of the alphabet.
Well-suited for branding systems that want a human, approachable voice, as well as packaging, café/retail signage, posters, and editorial or book-cover titling. It can also work nicely for short-to-medium passages where a friendly, informal texture is desired, especially in children’s or lifestyle contexts.
The overall tone is warm and personable, with a lightly quirky energy that reads as human and unpretentious. It suggests everyday friendliness—more conversational than formal—making it feel inviting and a bit storybook-like without becoming overly decorative.
The design appears intended to capture the warmth of casual handwritten print while remaining legible and structurally consistent for repeated use. Its rounded terminals and mild irregularity aim to add personality and charm to text without relying on heavy ornament.
Spacing appears comfortable and airy in the sample text, supporting longer lines while preserving the casual, hand-rendered character. The uppercase has a straightforward, sign-painter simplicity, while the lowercase introduces extra charm through small idiosyncrasies in curves, hooks, and descenders.