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Free for Commercial Use

Serif Humanist Ekpo 2 is a regular weight, normal width, medium contrast, italic, normal x-height font.

Keywords: book typography, editorial, invitations, packaging, branding, literary, classic, warm, refined, humanist, calligraphic heritage, classic readability, elegant emphasis, warm character, bracketed, calligraphic, modulated, oblique, lively.


Free for commercial use
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A slanted serif with a distinctly calligraphic build and moderate stroke modulation. Serifs are bracketed and softly flared rather than sharp, with a slight, hand-cut irregularity that keeps the texture lively without feeling rough. Curves are generous and rounded, joins are smooth, and terminals often finish with subtle teardrop or tapered endings. Uppercase forms feel open and slightly relaxed, while the lowercase shows flowing, pen-like construction and a steady rhythm across words.

Well suited to book and editorial settings where a warm, classic italic voice is desired for emphasis, quotations, or display-like passages. It also fits invitations, cultural branding, and packaging that calls for traditional elegance with humanist softness. Best used at sizes where the modulation and serif detail can remain clear.

The overall tone is warm and literary, suggesting traditional print culture and considered craftsmanship. Its italic movement and gentle modulation add a personable, human voice, balancing refinement with approachability. The feel is more expressive than neutral, suited to text that benefits from a touch of character.

The design appears intended to evoke old-style, humanist lettering through a controlled italic slant, bracketed serifs, and pen-informed curves, delivering a readable yet characterful texture. It prioritizes an expressive, crafted impression over strict geometric regularity.

In running text the face maintains a consistent color, with clear word shapes and a slightly animated baseline flow typical of calligraphy-influenced italics. Numerals appear similarly slanted and modulated, aligning with the text tone rather than aiming for rigid, tabular regularity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸