Print Fumap 7 is a very bold, normal width, medium contrast, upright, short x-height font visually similar to 'Newcastle' by FaceType, 'Acre' by Jonathan Ball, 'POLIGRA' by Machalski, 'Futura Now' by Monotype, and 'Core Sans G' and 'Core Sans GS' by S-Core (names referenced only for comparison).
Keywords: posters, headlines, halloween, comics, game titles, playful, mischievous, spooky-fun, cartoon, energetic, handmade feel, attention-grabbing, rough texture, playful display, chunky, rounded, rough-edged, ragged, distressed outline.
The letterforms are chunky and rounded with a heavily inked silhouette and irregular, torn-looking edges that mimic brushy or cut-paper texture. Curves are soft and inflated while terminals and corners break into jagged nicks, creating a consistent distressed outline across the set. Spacing and widths feel loosely varied, adding to the hand-drawn rhythm while still keeping counters open and shapes broadly legible at display sizes.
This font works best for short, high-impact applications where texture and character are an asset: posters, headlines, event graphics, and packaging callouts. It fits especially well in playful horror, Halloween themes, kids-and-family entertainment, comics or game UI titles, and DIY craft branding. For readability, it’s strongest at large sizes on clean backgrounds, where the ragged perimeter can be appreciated without filling in.
This font gives off a playful, mischievous energy with a slightly spooky, cartoonish edge. The rough, handmade finish feels lively and informal, suggesting motion and personality rather than polish or restraint. Overall it reads as bold and attention-grabbing, suited to fun, theatrical messaging.
The design appears intended to deliver a bold, handmade look with deliberate roughness at the edges, like ink dragged on textured paper or a deliberately distressed cutout. Its simplified, rounded construction prioritizes strong silhouette and quick recognition, while the irregular contouring injects personality and a slightly eerie whimsy. The overall intention reads as expressive display lettering rather than smooth, neutral text typography.
The distressed edge treatment is consistent across uppercase, lowercase, and numerals, giving the set a cohesive ‘chewed’ or ‘ripped’ perimeter. Numerals share the same chunky proportions and irregular contouring, maintaining a unified display voice across alphanumerics.