Print Hilig 5 is a very bold, normal width, medium contrast, upright, short x-height font visually similar to 'Corsica' by AVP, 'Penumbra Flare' and 'Penumbra Sans' by Adobe, 'Bindle' by Elemeno, 'FF Bauer Grotesk' and 'FF Bauer Grotesk Paneuropean' by FontFont, 'Futura Now' by Monotype, 'Architype Renner' by The Foundry, and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, stickers, playful, chunky, quirky, friendly, retro, attention grab, handmade charm, cheerful display, branding personality, rounded, soft corners, hand-drawn, irregular, bouncy.
A heavy, hand-drawn display face with broad strokes, rounded corners, and slightly uneven contours that keep the texture lively. The forms lean on simplified geometry—big bowls, compact counters, and stubby terminals—while small asymmetries and occasional notch-like cut-ins add a made-by-hand rhythm. Uppercase letters are blocky and prominent, with soft triangular joins and sturdy verticals; lowercase is compact and dense, contributing to a tight, punchy word shape. Numerals follow the same chunky construction, emphasizing bold silhouettes over fine detail.
Best suited to short, high-impact settings such as posters, headlines, playful branding, packaging, and logo wordmarks where its bold shapes can hold detail. It also works well for kids-focused materials, event graphics, and social media titles that benefit from a friendly, hand-made feel.
The overall tone is upbeat and informal, with a cartoonish, retro-leaning cheerfulness. Its chunky silhouettes and hand-rendered irregularities feel approachable and a bit mischievous, making text look energetic and attention-seeking rather than formal or restrained.
The design appears intended to deliver maximum visibility with a casual, hand-drawn personality—prioritizing strong silhouettes and a lively texture over strict geometric precision. Its construction suggests a goal of creating an approachable display voice that feels crafted and fun while remaining legible at larger sizes.
Spacing appears relatively tight in the sample text, reinforcing the dense, poster-like color on the page. Distinctive ink-trap-like notches and uneven stroke edges show up in several glyphs, adding character but also making the design more suitable for display sizes than extended reading.