Sans Superellipse Aphy 3 is a light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, wayfinding, dashboards, product design, futuristic, technical, clean, friendly, modernize, systemize, soften tech, maximize clarity, rounded, geometric, minimal, modular, soft corners.
A monoline sans built from rounded-rectangle geometry, with generously radiused corners and largely uniform stroke weight. Curves resolve into flat-ish, superellipse-like arcs, giving bowls and counters a squarish softness rather than a purely circular feel. Terminals are consistently rounded and the overall construction is modular and orderly, with open apertures and simplified joins that keep shapes crisp at a distance. Uppercase forms read broad and stable, while the lowercase maintains a compact, tidy rhythm; figures follow the same rounded-rect logic with clear, straightforward silhouettes.
Well suited to interface typography, product labeling, and digital-first branding where clean geometry and rounded friendliness are desired. It should perform nicely in headings, navigation, and short-to-medium text blocks in tech, consumer electronics, and modern lifestyle contexts, as well as signage systems that benefit from simple, highly consistent letterforms.
The overall tone feels modern and tech-forward while staying approachable due to the softened corners and calm, even rhythm. It suggests UI-minded precision without becoming cold, landing in a space that feels contemporary, efficient, and mildly playful.
The design appears intended to translate a superellipse/rounded-rectangle motif into a functional sans that feels engineered and contemporary. It prioritizes consistency, smooth corners, and a modular construction to create a recognizable, modern voice that stays legible and controlled across a range of sizes.
Distinctive cues include the superelliptical "O"/"0" family and similarly squared-off bowls in letters like C, G, and S, which reinforces a cohesive, system-like identity. The dot on i/j is small and square, and the overall character set shown favors clarity and consistency over calligraphic contrast or expressive modulation.