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Free for Commercial Use

Sans Normal Apbuh 2 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'Canava Grotesk' by Arodora Type, 'Cabira' by Hurufatfont, 'Remoto' by JAM Type Design, 'Vilonti' by Owl king project, 'Mazzard' by Pepper Type, 'Galano Grotesque' by René Bieder, 'Mixcase' by Roman Melikhov, 'Manifestor' by Stawix, and 'Carmen Sans' by StudioJASO (names referenced only for comparison).

Keywords: ui text, branding, signage, presentations, packaging, clean, modern, friendly, neutral, technical, versatility, clarity, modern utility, systematic geometry, geometric, rounded, open apertures, low contrast, crisp.


Free for commercial use
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This sans presents a geometric, rounded construction with low contrast strokes and clean terminal treatments. Curves are smooth and circular (notably in C, G, O, and 8), while straight-sided forms like E, F, H, and N keep a crisp, even rhythm. Counters are generous and apertures stay open, supporting clarity, and the overall set feels slightly expansive with comfortable spacing and steady baseline behavior.

It suits interface copy and product environments where clarity and consistency matter, and it scales well into headings thanks to its clean geometry and broad shapes. The open forms and even stroke weight also make it a solid choice for wayfinding and general-purpose communication, as well as contemporary brand systems that want a neutral, polished sans.

The overall tone is modern and straightforward, with a calm, approachable feel rather than a sharp or expressive one. Its geometric roundness and tidy joins give it a contemporary, product-oriented voice that reads as reliable and unobtrusive.

The design appears intended as a versatile, contemporary sans that prioritizes legibility and a smooth geometric rhythm. Its restrained details and consistent construction suggest a focus on broad usability across text and display settings without calling attention to stylistic ornament.

Uppercase forms maintain simple, recognizable silhouettes, while lowercase shapes remain similarly restrained and legible, avoiding exaggerated quirks. Numerals are clear and evenly weighted, with rounded figures that match the letterforms and maintain consistent visual color in text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸