Sans Normal Utbah 6 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Astoria' and 'Astoria Sans' by Alan Meeks, 'Delargo DT Informal' by DTP Types, 'Plusquam Sans' by Typolis, and 'Adora Compact PRO' by preussTYPE (names referenced only for comparison).
Keywords: ui text, captions, branding, headlines, data display, clean, modern, technical, efficient, upright-leaning, readability, clarity, neutrality, contemporary emphasis, rounded terminals, open apertures, brisk rhythm, even color, crisp curves.
This is a slanted sans with smooth, rounded curves and a steady, low-contrast stroke. Uppercase shapes are compact and straightforward, with broad bowls (C, G, O, Q) and clean joins that keep counters open. The lowercase shows a gently rounded, contemporary construction with simple, single-storey forms (notably a and g) and minimal detailing; terminals tend to finish bluntly with soft corners rather than sharp wedges. Spacing reads balanced and practical, producing an even typographic color in words and lines.
It works well for interface copy, labels, and captions where a clean italic is needed, and it scales up nicely for contemporary headlines or brand statements. The open shapes and steady texture also suit charts, dashboards, and other information-forward layouts where quick recognition is important.
The overall tone is modern and no-nonsense, with a brisk, forward-leaning energy from the italic slant. It feels clear and utilitarian rather than expressive, projecting a tidy, contemporary voice suitable for informational design.
The design appears intended as a practical italic sans that stays neutral and readable while adding motion and emphasis. Its rounded geometry and restrained detailing aim for clarity across a range of sizes and contexts, from short UI strings to larger display lines.
Figures are clear and compact, matching the letterforms’ smooth geometry and maintaining consistent weight and slant alongside the text. The italic angle is noticeable but controlled, helping emphasis without turning into a script-like feel.