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Free for Commercial Use

Serif Contrasted Tidy 8 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'Berthold Bodoni' by Berthold, 'Bodoni No. 1 SB' and 'Bodoni No. 1 SH' by Scangraphic Digital Type Collection, 'Bodoni Serial' by SoftMaker, 'TS Bodoni' by TypeShop Collection, and 'Bodoni' and 'Bodoni Antiqua' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, magazine, branding, packaging, editorial, dramatic, luxury, classic, theatrical, display impact, editorial polish, premium tone, classic revival, vertical stress, crisp serifs, hairline joins, sharp terminals, sculpted curves.


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This typeface is a heavy, high-contrast serif with a distinctly vertical stress and finely cut hairlines connecting to substantial stems. Serifs are crisp and mostly unbracketed, reading as sharp wedges and thin slabs that snap cleanly into the thick strokes. Curves are sculpted and slightly tensioned, with tight apertures and pronounced stroke modulation that gives rounds (like O and 8) a glossy, carved feel. Overall spacing appears generous and the letterforms run broad, producing a strong, poster-like rhythm with clear light–dark patterning across lines.

Best suited for display typography such as headlines, cover lines, posters, and brand marks where high contrast and broad proportions can read cleanly. It also fits premium packaging and title treatments that benefit from a refined, classical serif voice with strong visual impact.

The overall tone is editorial and dramatic, pairing old-style refinement with bold, attention-grabbing weight. It conveys a sense of luxury and formality, with a slightly theatrical flair created by the extreme contrast and crisp serif treatment.

The design appears intended to deliver a classic serif silhouette pushed into a bold, high-contrast display register. Its sharp, controlled serifs and sculpted modulation aim to create maximum drama and sophistication, prioritizing impact and elegance in large-format settings.

In the sample text, the heavy verticals and delicate connectors create strong sparkle at display sizes, while tightly pinched joins and small internal counters suggest the design is intended to be seen large rather than used for dense body copy. Numerals are equally high-contrast and sturdy, matching the letterforms’ emphatic presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸