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Free for Commercial Use

Sans Superellipse Gegeb 3 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Miura' by DSType; 'Benton Sans' by Font Bureau; 'FF Clan', 'FF Good', and 'FF Good Headline' by FontFont; and 'Performa' by Resistenza (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, sporty, punchy, retro, energetic, playful, impact, motion, attention, compactness, approachability, condensed, slanted, rounded, soft corners, bulky.


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A tightly packed, slanted sans with compact proportions and heavy, low-contrast strokes. Forms are built from rounded-rectangle geometry, giving counters and curves a smooth, superelliptical feel rather than true circles. Terminals are clean and largely unadorned, with a consistent forward lean and a slightly springy rhythm created by varied widths across letters. Bowls and counters are relatively small for the stroke mass, producing strong black density and crisp silhouettes at display sizes.

Best suited for short, high-impact settings such as headlines, posters, event graphics, and brand marks where dense weight and slanted momentum help grab attention. It can also work well for packaging callouts, labels, and promotional typography where a friendly-but-forceful presence is desirable.

The overall tone is assertive and kinetic, with a sporty, poster-like punch. Its rounded geometry keeps the weight from feeling harsh, adding a friendly, retro-leaning warmth even in all caps. The slant and condensed stance suggest speed and emphasis, making the voice feel lively and attention-seeking.

The design appears aimed at delivering maximum impact in a compact footprint, combining strong weight with rounded, modernized shapes for approachable display typography. The forward slant and tightly tuned spacing suggest an intention to convey motion and emphasis while maintaining clean, sans-like simplicity.

The numerals share the same compact, rounded construction and read as bold, sign-like figures. Uppercase shapes appear especially blocky and stable, while lowercase introduces more varied, animated shapes that amplify the informal energy in text lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸