Sans Other Komom 1 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, branding, posters, sports, technology, futuristic, sporty, techno, energetic, edgy, add motion, create texture, signal tech, display impact, logo use, slanted, stencil-like, segmented, angular, geometric.
A slanted, geometric sans with sharp, forward-leaning construction and frequent diagonal terminals. Many glyphs feature deliberate internal breaks and notched cut-ins that read as stencil-like segmentation, creating a patterned rhythm through counters and bowls (notably in round letters and numerals). Strokes stay largely even, with compact joins, squared-off ends, and occasional wedge-shaped connections; overall spacing and proportions feel engineered rather than calligraphic, with some width variation across the set.
Best suited to display settings such as headlines, posters, event graphics, packaging accents, and branding where its segmented, high-energy silhouette can be appreciated. It can also work for sports or tech-themed identities and UI title treatments, but is less ideal for long passages of small body text due to the intentional breaks and busy internal rhythm.
The segmented forms and consistent forward slant give the face a fast, technical tone—evoking motion, machinery, and digital interfaces. It feels assertive and contemporary, with a slightly experimental edge that stands out more as a graphic voice than a neutral text workhorse.
The design appears intended to reinterpret a clean sans structure through a dynamic italic slant and engineered cutouts, producing a sense of speed and industrial precision. The goal seems to be a distinctive, logo-friendly texture while retaining recognizable, broadly geometric letterforms.
The cut breaks are a defining feature and become more prominent at larger sizes, where the internal patterning reads crisply; at smaller sizes those separations may visually fill in or create sparkle. Round letters like C, G, O, Q and numerals such as 0, 6, 8, 9 show the segmentation most strongly, reinforcing the font’s distinctive texture in headlines.