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Free for Commercial Use

Sans Other Orly 9 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Imagine Font' by Jens Isensee and 'Quareg' by Umka Type (names referenced only for comparison).

Keywords: game titles, posters, logos, headlines, packaging, techno, industrial, arcade, futuristic, mechanical, impact, sci-fi tone, modular system, brand presence, display clarity, angular, octagonal, stencil-like, geometric, modular.


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This typeface is built from chunky, monoline strokes and hard, chamfered corners that create an octagonal, modular silhouette. Counters are mostly squared and tightly controlled, producing a compact internal rhythm and a strong, poster-like color on the line. Many joins and terminals are cut on diagonals rather than rounded, and several glyphs use stepped cut-ins and notches that reinforce a constructed, machine-made feel. Spacing reads fairly even in text, with sturdy proportions and simplified forms that prioritize bold geometry over delicate detail.

It performs best where impact and a strong geometric identity are needed: game and esports graphics, tech event posters, bold headlines, product marks, and packaging. The dense, angular texture also suits UI or signage moments when a deliberately “digital/industrial” voice is desired, especially at medium-to-large sizes.

The overall tone is assertive and technical, evoking sci‑fi interfaces, arcade cabinetry, and industrial labeling. Its sharp cuts and block logic feel engineered and utilitarian, with a retro-futurist edge rather than a friendly or humanist voice.

The design appears intended to translate a grid-based, engineered aesthetic into a readable sans, using chamfered corners and squared counters to signal technology and machinery. Its consistent construction and high visual mass suggest it was drawn for branding and display applications where a distinctive, built-from-blocks look is the primary goal.

Distinctive diagonal truncations and occasional stencil-like gaps add personality and help differentiate otherwise square forms, especially in tight counters. The style remains consistent across caps, lowercase, and numerals, keeping a uniform, grid-driven texture in both display and short text settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸